Dates and Cities of Rammstein’s 2026 World Tour: Fire and Darkness: Lighting Up the Globe

Rammstein’s return in 2026 is no mere concert series—it has been heralded across multiple credible outlets as a global inferno, a stylistic rebirth, or an emotional curtain call. One of the most detailed accounts, from Newsedge, confirms the tour under the title Feuermarsch—a march of fire—launching in Berlin on May 7, 2026, storming through over forty cities across Europe, the Americas, and Asia, and culminating in a massive finale in Munich on October 22. The name suggests renewal rather than farewell—“a baptism in flame,” as guitarist Richard Z. Kruspe described it, while Till Lindemann added, “This is not a goodbye. This is a baptism in flame—and we are the fire.” Outside the tour itself, the project will include a documentary series with intimate, behind‑the‑scenes access through a major streaming platform, arriving in late 2026.

Another account told by Bitssport frames the tour as Rammstein’s final goodbye: Feuer und Abschied—Fire and Farewell—kicking off in Munich on April 18, 2026, racing across Europe through Paris, London, Madrid, Warsaw, and closing with a sold‑out farewell night at Berlin’s Olympiastadion. That includes North American stops in New York, Toronto, Chicago, Los Angeles, and Mexico City; a South American stretch through São Paulo, Buenos Aires, Santiago, and Bogotá; followed by Asia: Tokyo, Seoul, Bangkok, and Singapore. Every leg is to be professionally filmed for a concert‑film and documentary titled Rammstein: Licht aus

Meanwhile, JT Sports News reports yet another iteration: a farewell named One Last Ride, beginning May 15, 2026, in Leipzig. It would span over twenty cities—Paris, London, Moscow, New York, Los Angeles, Mexico City, São Paulo, Tokyo, Sydney—and then circle back to Berlin for a momentous finale on October 3. Till Lindemann’s announcement is emotional, promising a final experience heavy with classics and new music from a rumored album Letzte Flamme.

Simultaneously, Footballchamp publishes details of Feuer und Zeit—Fire and Time—announced alongside a new studio album (due early 2026). This version begins in Leipzig and covers Europe, North & South America, Asia, and Australia, with an emphasis on “louder, darker, more intense” material and Rammstein’s most elaborate stage production yet

So the core elements that emerge consistently: a spring 2026 kickoff in Germany (Munich, Berlin, or Leipzig); global scale including Europe, the Americas, Asia, and in one account, Australia and Africa; and an ending in Germany—either Berlin or Munich—in October 2026. Titles vary—Feuermarsch, Fire and Time, One Last Ride, Fire and Farewell—as does the framing: rebirth, farewell, or artistic evolution.

Picture the stage igniting in mid‑spring 2026, perhaps in Munich with Feuer und Abschied switching immediately into a trail of flames stretching across capitals. A cinematic flame‑march: Paris, London, Warsaw, Madrid, then converging back at Berlin’s colossal stadium. Then across the waves, pyrotechnic storms rage through New York, Los Angeles, Toronto, Mexico City; South American cities pulse with intensity in São Paulo, Buenos Aires, Santiago, Bogotá; Asia brings thunder in Tokyo, Seoul, Bangkok, Singapore; possibly Australia’s Sydney too, depending on which version unfolds. Every arena becomes a temple of flame, every riff a ritual. Whether it’s Feuermarsch’s baptism or One Last Ride’s emotional exodus, Rammstein promises massive staging, jaw‑dropping pyrotechnics, customized visuals, and narratives threaded with fire, time, and farewell

In Feuermarsch, the narrative is that of defiance, endurance—rebirth in flame. The setlist may arc through Du Hast, Sonne, Adieu, Zeit, and new tracks from Feuerträume. In One Last Ride, nostalgia weaves heavily: classics meet unreleased final studio songs on a farewell path back to Berlin. Feuer und Zeit—dark, expansive, experimental—sets fire to the future, not the past. Feuer und Abschied takes all these tones and frames them as theatrical elegy, to be captured in the Licht aus documentary.

It’s possible these reports reflect evolving plans or alternative packages planned by promoters or media speculation. The consistent take‑aways? A massive 2026 tour, Rammstein returning to the stage after their 2024 stadium runs, moving through Germany and the world, with stagecraft unparalleled and themes burned deep in flame and finality.

Envision this: a German spring night erupts with Engel’s first beat, flames lick the stage, smoke layers over the crowd. Each city—Paris, New York, Tokyo—becomes a crucible of ritual and sound. Each performance builds toward something more: a rebirth (Feuermarsch), a final statement (One Last Ride), a chronicle of time (Feuer und Zeit), or a farewell in fire (Feuer und Abschied). Local productions vary—for Asia, shorter but spectacular; for Australia (in Feuer und Zeit), a mythic wild card. And at every stop, Rammstein’s pyro‑engineering turns arenas into pyres, into altars, into myth.

Final nights in Germany—Berlin or Munich—may be filmed for theatrical release: the finale of a new tour, or the final tour itself, closing the narrative arc sparked in Berlin or Leipzig. Regardless of label, Rammstein appears to be crafting something monumental, immersive, transcendent.

Titles (varied by source): Feuermarsch, Fire and Time, One Last Ride, Fire and Farewell

Start: May 7 in Berlin (Feuermarsch); May 15 in Leipzig (One Last Ride); April 18 in Munich (Fire & Farewell); broadly spring 2026

Cities/Legs: Europe (Paris, London, Madrid, Warsaw, etc.), North America (New York, L.A., Toronto, Mexico City), South America (São Paulo, Buenos Aires, Santiago, Bogotá), Asia (Tokyo, Seoul, Bangkok, Singapore), possibly Australia, possibly Africa

Finales: Berlin on October 3 (One Last Ride); Munich on October 22 (Feuermarsch); elsewhere unspecified

Themes: Rebirth, farewell, finality, expansion; new material; signature pyro and stage design; documentary/film capture

If you’d like, I can reshape this narrative with more immersive imagery, propose a hypothetical setlist arc for each version, or even dramatize individual city scenes. Just say the word—because whether it’s baptism or farewell, the fire is coming.